| Seen? |
|
Title |
| Yes |
1 |
Godfather, The (1972) |
| Yes |
2 |
Shawshank Redemption, The (1994) |
| Yes |
3 |
Godfather: Part II, The (1974) |
| Yes |
4 |
Lord of the Rings: The Return of the King, The (2003) |
| Yes |
5 |
Schindler’s List (1993) |
| Yes |
6 |
Lord of the Rings: The Two Towers, The (2002) |
| Yes |
7 |
Shichinin no samurai [Seven Samurai] (1954) |
| Yes |
8 |
Casablanca (1942) |
| Yes |
9 |
Lord of the Rings: The Fellowship of the Ring, The (2001) |
| Yes |
10 |
Star Wars (1977) 8.7/10 |
| Yes |
11 |
Citizen Kane (1941) |
| Yes |
12 |
One Flew Over the Cuckoo’s Nest (1975) |
| Yes |
13 |
Star Wars: Episode V - The Empire Strikes Back (1980) |
| Yes |
14 |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) |
| Yes |
15 |
Rear Window (1954) |
| Yes |
16 |
Raiders of the Lost Ark (1981) |
| Yes |
17 |
Pulp Fiction (1994) |
| Yes |
18 |
Usual Suspects, The (1995) |
| Yes |
19 |
Memento (2000) |
| Yes |
20 |
North by Northwest (1959) |
| No |
21 |
12 Angry Men (1957) |
| Yes |
22 |
Buono, il brutto, il cattivo, Il [The Good, The Bad and the Ugly] (1966) |
| Yes |
23 |
Lawrence of Arabia (1962) |
| Yes |
24 |
Psycho (1960) |
| Yes |
25 |
Fabuleux destin d’Amélie Poulain, Le (2001) |
| Yes |
26 |
Silence of the Lambs, The (1991) |
| Yes |
27 |
It’s a Wonderful Life (1946) 8.5/10 |
| Yes |
28 |
Goodfellas (1990) |
| Yes |
29 |
American Beauty (1999) |
| No |
30 |
Sunset Blvd. (1950) |
| Yes |
31 |
Vertigo |
| Yes |
32 |
Matrix, The (1999) |
| No |
33 |
Cidade de Deus (2002) |
| Yes |
34 |
To Kill a Mockingbird (1962) |
| No |
35 |
C’era una volta il West (1968) |
| Yes |
36 |
Apocalypse Now (1979) |
| Yes |
37 |
Pianist, The (2002) |
| Yes |
38 |
Third Man, The (1949) |
| No |
39 |
Paths of Glory (1957) |
| Yes |
40 |
Taxi Driver (1976) |
| Yes |
41 |
Fight Club (1999) |
| Yes |
42 |
Some Like It Hot (1959) |
| Yes |
43 |
Sen to Chihiro no kamikakushi (2001) |
| No |
44 |
Double Indemnity (1944) |
| Yes |
45 |
Boot, Das (1981) |
| Yes |
46 |
Eternal Sunshine of the Spotless Mind (2004) |
| Yes |
47 |
Singin’ in the Rain (1952) |
| Yes |
48 |
Chinatown (1974) |
| Yes |
49 |
L.A. Confidential (1997) |
| Yes |
50 |
Maltese Falcon, The (1941) |
| No |
51 |
All About Eve (1950) |
| Yes |
52 |
Requiem for a Dream (2000) |
| Yes |
53 |
M (1931) |
| Yes |
54 |
Bridge on the River Kwai, The (1957) |
| Yes |
55 |
Se7en (1995) |
| Yes |
56 |
Monty Python and the Holy Grail (1975) |
| Yes |
57 |
Saving Private Ryan (1998) |
| No |
58 |
Rashômon (1950) |
| Yes |
59 |
Raging Bull (1980) |
| Yes |
60 |
Wizard of Oz, The (1939) |
| Yes |
61 |
Alien (1979) |
| Yes |
62 |
American History X (1998) |
| Yes |
63 |
Sting, The (1973) |
| Yes |
64 |
Léon (1994) |
| Yes |
65 |
Mr. Smith Goes to Washington (1939) |
| Yes |
66 |
Manchurian Candidate, The (1962) |
| Yes |
67 |
Vita è bella, La (1997) |
| Yes |
68 |
Touch of Evil (1958) |
| Yes |
69 |
Treasure of the Sierra Madre, The (1948) |
| Yes |
70 |
Finding Nemo (2003) |
| Yes |
71 |
2001: A Space Odyssey (1968) |
| Yes |
72 |
Reservoir Dogs (1992) |
| Yes |
73 |
Great Escape, The (1963) |
| Yes |
74 |
Modern Times (1936) |
| Yes |
75 |
Clockwork Orange, A (1971) |
| Yes |
76 |
Amadeus (1984) |
| Yes |
77 |
On the Waterfront (1954) |
| Yes |
78 |
Kill Bill: Vol. 1 (2003) |
| No |
79 |
Ran (1985) |
| Yes |
80 |
Annie Hall (1977) |
| Yes |
81 |
Wo hu cang long [Crouching Tiger, Hidden Dragon] (2000) |
| Yes |
82 |
Jaws (1975) |
| Yes |
83 |
Braveheart (1995) |
| No |
84 |
Apartment, The (1960) |
| Yes |
85 |
High Noon (1952) |
| Yes |
86 |
Aliens (1986) |
| Yes |
87 |
Fargo (1996) |
| Yes |
88 |
Strangers on a Train (1951) |
| Yes |
89 |
Shining, The (1980) |
| Yes |
90 |
Metropolis (1927) |
| Yes |
91 |
Blade Runner (1982) |
| Yes |
92 |
Sixth Sense, The (1999) |
| Yes |
93 |
Donnie Darko (2001) |
| Yes |
94 |
City Lights (1931) |
| Yes |
95 |
Duck Soup (1933) |
| Yes |
96 |
Great Dictator, The (1940) |
| Yes |
97 |
Sjunde inseglet, Det [The Seventh Seal] (1957) |
| No |
98 |
General, The (1927) |
| Yes |
99 |
Dogville (2003) |
| Yes |
100 |
Princess Bride, The (1987) |
| Yes |
101 |
Nuovo cinema Paradiso (1989) |
| Yes |
102 |
Mononoke-hime [Princess Mononoke] (1997) |
| No |
103 |
Notorious (1946) |
| Yes |
104 |
Full Metal Jacket (1987) |
| Yes |
105 |
Rebecca (1940) |
| Yes |
106 |
Toy Story 2 (1999) |
| Yes |
107 |
Lola rennt [Run Lola Run] (1998) |
| Yes |
108 |
Big Sleep, The (1946) |
| No |
109 |
Best Years of Our Lives, The (1946) |
| Yes |
110 |
Yojimbo (1961) |
| Yes |
111 |
Butch Cassidy and the Sundance Kid (1969) |
| Yes |
112 |
Ladri di biciclette (1948) |
| Yes |
113 |
Graduate, The (1967) |
| Yes |
114 |
Patton (1970) |
| Yes |
115 |
Terminator 2: Judgment Day (1991) |
| No |
116 |
It Happened One Night (1934) |
| Yes |
117 |
Deer Hunter, The (1978) |
| Yes |
118 |
Manhattan (1979) |
| Yes |
119 |
Forrest Gump (1994) |
| Yes |
120 |
Glory (1989) |
| No |
121 |
Searchers, The (1956) |
| No |
122 |
Kill Bill: Vol. 2 (2004) |
| No |
123 |
Philadelphia Story, The (1940) |
| No |
124 |
Mystic River (2003) |
| No |
125 |
Cool Hand Luke (1967) |
| Yes |
126 |
African Queen, The (1951) |
| Yes |
127 |
Ben-Hur (1959) |
| Yes |
128 |
Once Upon a Time in America (1984) |
| No |
129 |
Bringing Up Baby (1938) |
| Yes |
130 |
Unforgiven (1992) |
| Yes |
131 |
Green Mile, The (1999) |
| Yes |
132 |
Hable con ella (2002) |
| Yes |
133 |
Star Wars: Episode VI - Return of the Jedi (1983) |
| Yes |
134 |
Stalag 17 (1953) |
| No |
135 |
Grapes of Wrath, The (1940) |
| Yes |
136 |
Shrek (2001) |
| Yes |
137 |
Elephant Man, The (1980) |
| No |
138 |
Arsenic and Old Lace (1944) |
| Yes |
139 |
Night of the Hunter, The (1955) |
| Yes |
140 |
Gone with the Wind (1939) |
| Yes |
141 |
Indiana Jones and the Last Crusade (1989) |
| Yes |
142 |
Christmas Story, A (1983) |
| No |
143 |
Wild Bunch, The (1969) |
| Yes |
144 |
Back to the Future (1985) |
| No |
145 |
Straight Story, The (1999) |
| Yes |
146 |
Platoon (1986) |
| No |
147 |
All Quiet on the Western Front (1930) |
| Yes |
148 |
Hustler, The (1961) |
| Yes |
149 |
Amores perros (2000) |
| Yes |
150 |
Smultronstället [Wild Strawberries] (1957) |
| Yes |
151 |
Young Frankenstein (1974) |
| Yes |
152 |
Adventures of Robin Hood, The (1938) |
| Yes |
153 |
Gold Rush, The (1925) |
| Yes |
154 |
Die Hard (1988) |
| Yes |
155 |
Monsters, Inc. (2001) |
| Yes |
156 |
His Girl Friday (1940) |
| Yes |
157 |
Lost in Translation (2003) |
| Yes |
158 |
Life of Brian (1979) |
| Yes |
159 |
Bronenosets Potyomkin [Battleship Potemkin](1925) |
| Yes |
160 |
Spartacus (1960) |
| Yes |
161 |
Grande illusion, La (1937) |
| No |
162 |
Man Who Shot Liberty Valance, The (1962) |
| Yes |
163 |
Charade (1963) |
| Yes |
164 |
Quatre cents coups, Les (1959) |
| Yes |
165 |
Gladiator (2000) |
| No |
166 |
Witness for the Prosecution (1957) |
| No |
167 |
Festen (1998) |
| Yes |
168 |
Conversation, The (1974) |
| Yes |
169 |
Almost Famous (2000) |
| No |
170 |
Ying xiong (2002) |
| Yes |
171 |
Sling Blade (1996) |
| Yes |
172 |
Toy Story (1995) |
| Yes |
173 |
Roman Holiday (1953) |
| Yes |
174 |
Magnolia (1999) |
| Yes |
175 |
Day the Earth Stood Still, The (1951) |
| Yes |
176 |
Night at the Opera, A (1935) |
| No |
177 |
All the President’s Men (1976) |
| Yes |
178 |
Streetcar Named Desire, A (1951) |
| Yes |
179 |
Brazil (1985) |
| No |
180 |
Insider, The (1999) |
| Yes |
181 |
Ed Wood (1994) |
| Yes |
182 |
Trois couleurs: Rouge (1994) |
| No |
183 |
To Be or Not to Be (1942) |
| No |
184 |
Killing, The (1956) |
| Yes |
185 |
Being John Malkovich (1999) |
| No |
186 |
Shadow of a Doubt (1943) |
| Yes |
187 |
Who’s Afraid of Virginia Woolf? (1966) |
| Yes |
188 |
Exorcist, The (1973) |
| No |
189 |
Dog Day Afternoon (1975) |
| Yes |
190 |
Stand by Me (1986) |
| Yes |
191 |
Mulholland Dr. (2001) |
| Yes |
192 |
Harvey (1950) |
| Yes |
193 |
Twelve Monkeys (1995) |
| Yes |
194 |
Terminator, The (1984) |
| Yes |
195 |
Nosferatu, eine Symphonie des Grauens (1922) |
| Yes |
196 |
Gandhi (1982) |
| No |
197 |
Hotaru no haka (1988) |
| Yes |
198 |
Pirates of the Caribbean: The Curse of the Black Pearl (2003) |
| Yes |
199 |
Groundhog Day (1993) |
| No |
200 |
Lion in Winter, The (1968) |
| Yes |
201 |
This Is Spinal Tap (1984) |
| Yes |
202 |
Trainspotting (1996) |
| Yes |
203 |
Miller’s Crossing (1990) |
| Yes |
204 |
Whale Rider (2002) |
| Yes |
205 |
Right Stuff, The (1983) |
| Yes |
206 |
Adaptation. (2002) |
| No |
207 |
21 Grams (2003) |
| Yes |
208 |
Rain Man (1988) |
| No |
209 |
Ikiru (1952) |
| No |
210 |
Big Fish (2003) |
| Yes |
211 |
Network (1976) |
| Yes |
212 |
Midnight Cowboy (1969) |
| Yes |
213 |
Bonnie and Clyde (1967) |
| No |
214 |
Laura (1944) |
| Yes |
215 |
Strada, La (1954) |
| Yes |
216 |
8½ (1963) |
| Yes |
217 |
Stagecoach (1939) |
| Yes |
218 |
King Kong (1933) |
| Yes |
219 |
X2 (2003) |
| No |
220 |
39 Steps, The (1935) |
| Yes |
221 |
Snatch. (2000) |
| Yes |
222 |
Lock, Stock and Two Smoking Barrels (1998) |
| Yes |
223 |
Passion de Jeanne d’Arc, La (1928) |
| Yes |
224 |
Big Lebowski, The (1998) |
| No |
225 |
Others, The (2001) |
| Yes |
226 |
Untouchables, The (1987) |
| Yes |
227 |
In the Heat of the Night (1967) |
| Yes |
228 |
Rio Bravo (1959) |
| Yes |
229 |
Thin Man, The (1934) |
| Yes |
230 |
Planet of the Apes (1968) |
| No |
231 |
Sunrise: A Song of Two Humans (1927) |
| Yes |
232 |
Minority Report (2002) |
| No |
233 |
Red River (1948) |
| No |
234 |
Beauty and the Beast (1991) |
| Yes |
235 |
Traffic (2000) |
| Yes |
236 |
Bride of Frankenstein (1935) |
| No |
237 |
In America (2002) |
| Yes |
238 |
Fantasia (1940) |
| No |
239 |
Sleuth (1972) |
| Yes |
240 |
Good Will Hunting (1997) |
| No |
241 |
Die xue shuang xiong The Killer] (1989) |
| Yes |
242 |
Henry V (1989) |
| Yes |
243 |
Being There (1979) |
| Yes |
244 |
Todo sobre mi madre (1999) |
| No |
245 |
Kind Hearts and Coronets (1949) |
| Yes |
246 |
Enfants du paradis, Les (1945) |
| Yes |
247 |
Heat (1995) |
| No |
248 |
Quiet Man, The (1952) |
| Yes |
249 |
E.T. the Extra-Terrestrial (1982) |
| Yes |
250 |
Clerks. (1994) |
Mari said,
May 18, 2004 at 11:10 pm
Wow… I can definitely believe that you’ve seen all those movies — what I can’t believe is that you have never seen 12 Angry Men… I really like that movie…
we should get together and I can try to catch up with your film totals
Nick said,
May 19, 2004 at 11:02 pm
It was easier to put all the movies I haven’t seen down, 32 of them. I’ll post in a minute the movies you need to see and in order that you should see them. Some, like the previous poster has pointed out, are shameful.
ONES I HAVEN’T SEEN
—-
Cidade de Deus (2002) [City of God]
Paths of Glory (1957)
Sen to Chihiro no kamikakushi (2001) [Spirited Away]
Eternal Sunshine of the Spotless Mind (2004)
Ran (1985)
Dogville (2003)
Lola rennt [Run Lola Run] (1998)
Best Years of Our Lives, The (1946)
Mystic River (2003)
Night of the Hunter, The (1955)
Straight Story, The (1999)
Amores perros (2000)
Smultronstället [Wild Strawberries] (1957)
Witness for the Prosecution (1957)
Festen (1998)
Ying xiong (2002)
Trois couleurs: Rouge (1994)
To Be or Not to Be (1942)
Hotaru no haka
Lion in Winter, The (1968)
21 Grams (2003)
Ikiru (1952)
Strada, La
Sunrise: A Song of Two Humans (1927)
Red River (1948)
In America (2002)
Sleuth
Die xue shuang xiong [The Killer] (1989)
Todo sobre mi madre (1999)
Kind Hearts and Coronets (1949)
Enfants du paradis, Les (1945)
Quiet Man, The (1952)
Nick said,
May 20, 2004 at 12:31 am
Okay, here are the ones you need to see and some reasons why. (btw, there are definitely some on that list that shouldn’t be. Big Fish? Ugh.)
* 12 Angry Men (1957): I can think of few movies that can so well engage the audience with only one set and a static set of characters. Lifeboat and Rope, both Hitchcock films. Rear Window to a lesser degree, too. This movie established a classic theme and narrative that’s been mimicked over and over. But the original remains the best. Great cast and Fonda was perfectly chosen for the lead.
* Sunset Blvd. (1950): Film noir classic with many memorable lines and shots. How many films and TV shows started with a dead body speaking to the viewer from beyond after this.
* Double Indemnity (1944): This is the epitomy of the fast-talking film noir crime drama with a archetypal femme fatale.
* All About Eve (1950): Bette Davis at her best and bitchiest.
* Rashômon (1950): Another movie that’s been mimicked in TV and movies ever since. But it’s more than just a clever story about disparate viewpoints. It’s also Kurosawa and so expertly directed.
* Apartment, The (1960): A romantic comedy that comes across authentic. Jack Lemmon is fantastic. This movie has so much more life to it and woeful heart to it than most romantic comedies.
* Notorious (1946): Classic Hitchcock more about the characters than the suspense at times. But the suspense is certainly there. There are some great scenes and some fantastic acting. The ending can be a let down, but the more I’ve seen this movie, the more I really appreciate its ending. (I own this.)
* It Happened One Night (1934): One of the first romantic/screwball comedies that really highlights Gable’s charisma.
* Searchers, The (1956): Ford’s westerns always had meaningful moral issues, but this is the king of them, imo. John Wayne just had so much presence, but in movies like this you also see how much he brought to the characters as a true actor. Interestingly, this and Notorious share their endings in a way. The plot structure of this movie is unlike most westerns you’re likely to see. This is the type of movie that is myth as well as entertainment, the type of story that would have been told by Homer milleniums ago.
* Kill Bill: Vol. 2 (2004): Better than the first one, I think, but also quite different. It’s not a great movie, but it’s pretty darned good.
* Philadelphia Story, The (1940): Possibly my favorite romantic/screwball comedy of all time. Just an excellent film. (I own it, btw.) Stewart, Grant, Hepburn — what a powerhouse trio.
* Cool Hand Luke (1967): I really can’t believe you haven’t seen this. This is the type of movie that made the late ’60s and into the ’70s an excellent period for film. Not only is this one of the most fun movies I can think of with classic bits. But it also speaks to alienation and the ’60s generation’s distrust of society’s constraints. There’s also a hell of a lot of religious symbolism in the movie, despite the big soapy boobies on the car windshield. (Now you want to see it.)
* Grapes of Wrath, The (1940): Despite a couple of speeches, this is a very moving film. You feel the despair of the depression, but also are given hope. Excellent acting and, of course, an excellent story from Steinbeck. An easy pick as one of the best American movies of all time. Wonderful photography, too. Great use of shadows.
* Arsenic and Old Lace (1944): The lightest dark comedy I can imagine. This is a very fun movie.
* Wild Bunch, The (1969): My favorite Peckinpah. (I own this, as well.) There are no good guys in a Peckinpah movie. You’ll see some of the influences for both the Wachowski brothers and Tarantino in this film. It’s a great ensemble piece with excellent directing. It’s mostly a fun, violent western, but there’s more there.
* All Quiet on the Western Front (1930): Certainly one of the best anti-war films of all time. Knowing your political bent, Leopoldo, this is probably a perfect time to see this movie.
* Man Who Shot Liberty Valance, The (1962): John Wayne *and* Jimmy Stewart — does it get any better? Here’s another western where the characters and story transcend the genre and transcend movies. What happened to movies that were both entertaining and meaningful?
* All the President’s Men (1976): How do you make a story about politics and journalism exciting? You make this movie. Really. A lot of the energy comes from the performances by Redford and Hoffman, especially Hoffman.
* Dog Day Afternoon (1975): Pacino while he still wasn’t a caricature of himself.
* 39 Steps, The (1935): One of Hitchcock’s earliest films where he was truly being the director we would come to know. The ending is questionable, but it’s a fun movie and interesting to watch as a piece of cinema history.
* Others, The (2001): We’ve had a few really good spooky movies in the last decade: Sixth Sense, The Ring, and this. I think the end is a letdown, but the movie keeps you on the edge of your seat throughout.
* Beauty and the Beast (1991): Really, Leopold, how can you call yourself an animation geek and not have seen this classic. Sure, it’s Disney, but it solidified a formula and may be the best of the modern Disney musicals.
kelly84 said,
May 26, 2004 at 6:29 am
hey guys, ive seen a lot of the films on the list but i really wanna see more foreign language ones,i just dont know where to start!!! if ne one has n e sugestions plese help me out,
ive seen the following, before u suggest them,
Battle Royal
Amelie
Audition
Iron Monkey
Hard Boiled- not great!!
Lady Snowblood, Blizzard from the netherworld
City of God
El Mariachi
as you can see its a pretty short list!! any sugestions would be apreciated!!
James said,
August 4, 2004 at 4:58 pm
Looking for good foriegn films. Wow! where to start. Here are a few I suggest;
Wings of Desire
Empire of the Sun
The Scent of Green Papaya
Belle de Jour
Diabolique
Run Lola Run
Amores Perros
Russian Ark
In The Mood For Love
Withnail and I (not quite foriegn, British)
Dreams (Akira Kurosawa)
Ikiru
Eat Drink Man Woman
Bon Voyage
Artemisia
Wild Strawberries
The Hairdressers Wife
Y Tu Mama Tambien
Baxter
Europa Europa
The Red Lantern
Fantastic Planet
Three Colors (Red, White and Blue are all good)
That is all that come to mind now, but should be a good start.
Lou P. said,
November 21, 2006 at 2:20 pm
I found this page looking for top movie lists; if you haven’t seen it yet, I have to reiterate the Run Lola Run recommendation. It’s an excellent film.